FlyLo ambitiously stitches together a diverse array of musical styles on Until The Quiet Comes to produce a mesmeric lattice-work of psychedelic wonderment; with winding basslines, stuttering drum beats, bright keyboards and pitch shifted vocals featuring heavily throughout this albums duration. Although that might sound like an unpenetrable and potentially alienating concoction on paper, Mr Ellison's consumate compositional skills bring all these disparate elements together, by filtering them through his unique lens of jazzy electronica much like he did on his previous opus "Cosmogramma". "UTQC" is an all together more apporachable work than it's predecessor though, with FlyLo choosing to create a lush soundscape of mind altering mood pieces with the aforementioned elements, rather than densely packing everything together to produce something as abstract and otherwordly as "Cosmogramma". Fans of electronic music in general should find plenty on "UTQC" to drool over, but those of you who have a penchant particularly for Amon Tobin's brand of Jazz infused breakbeat and/or Matthew Herbert's soulful microhouse will be especially taken by this albums three dimensional fusion of experimental jazz and multifarious electronica.
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